Riverhead - original soundtrack
by Ulver
John Cratchley
John Cratchley
Haunting and evocative, mournful and melancholic, sparse yet finely detailed, emotionally charged; ethereal one moment and grounded the next...Ulver on a creative cusp; this feels like some kind of important turning point or event horizon in their music to me...compelling and not to be ignored.
David Salvisberg
Fernando Mercado Malabet
Robert
Benko
David Stevens
yrk
teebes
crizcroz
Runar Grønlie
Jez Templeton
Matthew Arnold
Stephen Cassidy
Grant P
Bastiaan de Vries
Jellycrusher
Claytron
Speand
__chasm__
((VV0ID))
Nathan M. Rowen
T. DAVIDSOHN
Hans-Georg Roth
adrian gonzalvo
Darknock
Keith Tait
Tristan Ritz
Kristian Bjørkelo
sdh2000
Coat of Trumpets
Damien Nugent
Loewenhagen
Trevor D
Guillermo Pizarro
Jo Chapman
Chris Perkins
tom wareham
Anthony Pandolfino
Feedbacker
squeech
Michael Stack
k_tarr
Jon Dexter
Ryan Wade
ohlin
kojirou
Was Ist Das?
Chris Voss
Forrest L Norvell
Maldoror
Grewon Blackleaf
Gerard Hovanessyan
MNoire
Eve McGivern
Mindspawn
Trevor Hermosillo
鲁迅的暴行
Joshua Greer
Julian Bickmore
Rev. Clay
dondarkzony
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
€7 EUR or more
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Full Digital Discography
Get all 18 Ulver releases available on Bandcamp and save 40%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Assassination of Julius Caesar, Riverhead - original soundtrack, ATGCLVLSSCAP, Terrestrials, Messe I.X-VI.X, Live at Roadburn, Themes from William Blake's The Marriage of Heaven and Hell, Metamorphosis ep, and 10 more.
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1. |
Riverhead
05:13
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2. |
Dark Alley
01:34
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3. |
Road to Town
02:26
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4. |
In a Wooden Coat
03:08
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5. |
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6. |
Father's Feud
03:11
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7. |
In Memoriam
03:06
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8. |
Stoke the Fire
02:44
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9. |
Bored of Canada
03:30
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10. |
Hard Standing
01:55
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11. |
Stalking
01:31
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12. |
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13. |
Spiteful Things
03:00
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14. |
The Hunt
01:51
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15. |
Snake in the Grass
04:07
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about
THE STORY
The North Shore is a particular coastline on the island of Newfoundland that has been in various stages of settlement since the 1500s – it is said to be one of the oldest North American settlements. As Irish and English settlers formed communities, centuries of secular feuding in Europe were inevitably rediscovered in this new land and lead to many years of fighting, rioting, and murder. As a Newfoundlander with deep roots on the island, my family has experienced this conflict first-hand and often tell stories of their rival outports, even warning me to stay away from certain communities as a child. This is the backdrop for RIVERHEAD – an area with a fragile coexistence between communities, where inherited feuds can resurface at any moment.
THE SOUNDTRACK
Late last fall I sent Kristoffer Rygg my latest short film, FLANKERS, and we began chatting about the soundtrack, eventually going back and forth about a potential collaboration. At this point, I went out on a limb and asked if ULVER would be interested in composing the music for my upcoming feature, RIVERHEAD. They kindly accepted and here is the result. As a long-time fan, this was an incredible collaboration for me – and further, it allowed us to find aesthetic and cultural similarities between our lands. With this in mind, the soundtrack certainly touches on Nordic and Celtic folk music from within an ambient/atmospheric frame.
There was a mutual understanding that the soundtrack should be hushed, airy and ominous, almost elemental in its minimalism, with only a few key moments that rupture into larger, more augmented pieces. As far as the method, ULVER started by recording and sending over some sketches and atmospheres before we shot a single scene of the film. This allowed me to go into the filming with an understanding of the soundtrack, and how the scenes could (and would) be paced – truly an invaluable asset, especially with a fragmented film like this. Afterwards, they continued to record and we fine-tuned said sketches as well as some new pieces together. Ultimately, I am as proud of this collaboration as a standalone project as I am with the film itself.
– Justin Oakey, L'Anse aux Meadows, September 2016
The North Shore is a particular coastline on the island of Newfoundland that has been in various stages of settlement since the 1500s – it is said to be one of the oldest North American settlements. As Irish and English settlers formed communities, centuries of secular feuding in Europe were inevitably rediscovered in this new land and lead to many years of fighting, rioting, and murder. As a Newfoundlander with deep roots on the island, my family has experienced this conflict first-hand and often tell stories of their rival outports, even warning me to stay away from certain communities as a child. This is the backdrop for RIVERHEAD – an area with a fragile coexistence between communities, where inherited feuds can resurface at any moment.
THE SOUNDTRACK
Late last fall I sent Kristoffer Rygg my latest short film, FLANKERS, and we began chatting about the soundtrack, eventually going back and forth about a potential collaboration. At this point, I went out on a limb and asked if ULVER would be interested in composing the music for my upcoming feature, RIVERHEAD. They kindly accepted and here is the result. As a long-time fan, this was an incredible collaboration for me – and further, it allowed us to find aesthetic and cultural similarities between our lands. With this in mind, the soundtrack certainly touches on Nordic and Celtic folk music from within an ambient/atmospheric frame.
There was a mutual understanding that the soundtrack should be hushed, airy and ominous, almost elemental in its minimalism, with only a few key moments that rupture into larger, more augmented pieces. As far as the method, ULVER started by recording and sending over some sketches and atmospheres before we shot a single scene of the film. This allowed me to go into the filming with an understanding of the soundtrack, and how the scenes could (and would) be paced – truly an invaluable asset, especially with a fragmented film like this. Afterwards, they continued to record and we fine-tuned said sketches as well as some new pieces together. Ultimately, I am as proud of this collaboration as a standalone project as I am with the film itself.
– Justin Oakey, L'Anse aux Meadows, September 2016
credits
released December 9, 2016
tags
license
all rights reserved
about
Ulver Norway
Ulver, Norway, 1993–
discography
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Apr 2017 -
Dec 2016 -
Jan 2016 -
Feb 2014
